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c. 1445 – May 17, 1510. Italian painter.

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Edvard Munch
Vampire

ID: 55322

Edvard Munch Vampire
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Edvard Munch Vampire


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Edvard Munch

Norwegian 1863-1944 Edvard Munch Locations Edvard Munch (pronounced , December 12, 1863 ?C January 23, 1944) was a Norwegian Symbolist painter, printmaker, and an important forerunner of expressionistic art. His best-known composition, The Scream is one of the pieces in a series titled The Frieze of Life, in which Munch explored the themes of life, love, fear, death, and melancholy. Edvard Munch was born in a rustic farmhouse in the village of Adalsbruk in Loten, Norway to Christian Munch, the son of a prominent priest. Christian was a doctor and medical officer, who married Laura Cathrine Bjølstad, a woman half his age, in 1861. Edvard had an older sister, Johanne Sophie (born 1862), and three younger siblings: Peter Andreas (born 1865), Laura Cathrine (born 1867), and Inger Marie (born 1868). Both Sophie and Edvard appear to have gotten their art talent from their mother. Edvard Munch was related to painter Jacob Munch (1776?C1839) and historian Peter Andreas Munch (1810?C1863). The family moved to Kristiania (now Oslo) in 1864 when Christian Munch was appointed medical officer at Akershus Fortress. Edvard??s mother died of tuberculosis in 1868, as did Munch's favorite sister Johanne Sophie in 1877. After their mother's death, the Munch siblings were raised by their father and by their aunt Karen. Often ill for much of the winters and kept out of school, Edvard would draw to keep himself occupied. He also received tutoring from his school mates and his aunt. Christian Munch also instructed his son in history and literature, and entertained the children with vivid ghost stories and tales of Edgar Allan Poe. Christian??s positive behavior toward his children, however, was overshadowed by his morbid pietism. Munch wrote, ??My father was temperamentally nervous and obsessively religious??to the point of psychoneurosis. From him I inherited the seeds of madness. The angles of fear, sorrow, and death stood by my side since the day I was born.?? Christian reprimanded his children by telling them that their mother was looking down from heaven and grieving over their misbehavior. The oppressive religious milieu, plus Edvard??s poor health and the vivid ghost stories, helped inspire macabre visions and nightmares in Edvard, who felt death constantly advancing on him. One of Munch's younger sisters was diagnosed with mental illness at an early age. Of the five siblings only Andreas married, but he died a few months after the wedding. Munch would later write, "I inherited two of mankind's most frightful enemies??the heritage of consumption and insanity." Christian Munch??s military pay was very low, and his attempts at developing a private side practice failed, keeping his family in perrenial poverty. They moved frequently from one sordid flat to another. Munch??s early drawings and watercolors depicted these interiors, and the individual objects such as medicine bottles and drawing implements, plus some landscapes. By his teens, art dominated Munch??s interests. At thirteen, Munch has his first exposure to other artists at the newly formed Art Association, were he admired the work of the Norwegian landscape school, and where he returned to copy the paintings, and soon he began to paint in oils.  Related Paintings of Edvard Munch :. | Death | Spring | Jisi | Maduna | Snow street |
Related Artists:
Philipp Hieronymus Brinckmann
(or Brinkman,) a German painter and engraver, was born at Spires in 1709. He was a pupil of J. G. Dathan. His favourite subjects were landscapes, but he also painted historical subjects and portraits; in some of the latter he imitated the force and colouring of Rembrandt. He was painter to the Court, and keeper of the Gallery at Mannheim, where he died in 1761. In the Städel at Frankfort is a 'Swiss Landscape' signed P. H. Brinckmann fecit, 1745. He etched some plates in a picturesque and spirited style.
Pollaiuolo, Jacopo
Approx. 1441-1496 Painter, brother of Antonio Pollaiuolo. He was described as a painter in the membership records of the Compagnia di S Luca, which he joined in 1472. According to tradition, he initially trained under Andrea del Castagno. In his 1480 tax return Piero reported that he had a small house adjoining the family home '...which I use when I have painting to do'. He produced many paintings for the Florentine workshop,
Thomas Hickey
was an Irish painter. Born in Dublin, Hickey was the son of Noah, a confectioner in Capel Street, and Anne Hickey. A younger brother was John Hickey, the sculptor. He was trained at the Royal Dublin Society schools under Robert West. Hickey painted primarily portraits and genre scenes. He traveled widely, working in India, Portugal, Italy and England, residing in Bath between 1776 and 1780. On his voyage to India, the vessel in which he was travelling was captured by French and Spanish fleets which led him to Lisbon, where, after receiving a number of commissions, he remained for several years. He eventually reached Bengal and stayed there until 1791 when he returned to England. He then traveled as far as Peking, China with George Macartney, 1st Earl Macartney as the expedition's official portrait painter. He returned to Ireland shortly after the death of his brother John in January 1796. In 1797, he was commissioned by Dr. Robert Emmet, State Physician for Ireland, to paint a portrait of the doctor's son, Robert, and daughter, Mary. By 1798 he had returned to India where he landed just in time for the start of the Fourth Mysore War, which kept him engaged in painting. He resided in Madras until his death in 1824. In addition to his artistic talents, he is reputed to have been a sparkling conversationalist who rarely failed to charm his sitters. The Courtauld Institute of Art (London), the Honolulu Academy of Arts, the National Gallery of Ireland, the Tate and the Victoria Art Gallery (Bath, England) are among the public collections having paintings by Thomas Hickey.






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